Specials
Tamron's 35-150mm F/2-2.8 Di III VXD (Model A058) is a fast-aperture telephoto zoom lens for Sony E-mount full-frame mirrorless cameras. The 35-150mm F2-2.8 is a zoom lens that covers the range from wide-angle (35mm) through telephoto (150mm) and is ideal for travel photography. It is the first zoom lens for Sony E-mount full-frame mirrorless cameras to have a maximum wide-open aperture of F2. With this focal range, you can enjoy shooting magnificent views and large buildings at 35mm and dynamic close-up shots at 150mm
A retro focus lens with 89° diagonal angle of view. This lens offers outstanding corner-to-corner sharpness, low dispersion glass, even illumination, and features an advanced optical design with rear focus mechanism to ensure high performance even at the close focusing range.
The Saramonic SR-XLR35 is a microphone cable with a standard female XLR connector on one end, and an 1/8“ (3.5mm) TRRS connector at the other end -- which enables you to plug professional microphones directly into mobile devices (smartphones and tablets) as well as cameras (DSLRs, mirrorless, and video cameras). Using the SR-XLR35 is incredibly easy. You just connect an XLR microphone, select either camera mode or mobile device mode, plug it in and start recording.
The world's first 35mm F1.2 as L-Mount and Sony E-mount lens for full-frame mirrorless system. The high image quality of the Art line that pursues ultimate performance is realized by F1.2 maximum aperture.
KODAK EKTAR H35 Half Frame Film Camera is ideal for photographers looking to reduce film usage and related costs. It features a built-in flash and a small-and-light body, and is designed to be handy and easy-to-use; even film beginners can handle it effortlessly. It comes in four colours, namely black, brown, sage and sand.
The Sweet 35 Optic is a 35mm selective focus optic with a 12-blade adjustable aperture that creates a tack sharp Sweet Spot of focus surrounded by blur. Experience an unprecedented level of creative control over the size of the Sweet Spot.
The 35mm F2 DG DN | Contemporary, a classic wide standard prime which photographers would not want to compromise on, comes with a maximum aperture of F2, and offers both compactness and high optical performance. Its modest size and weight make it portable enough to be carried around in a small kitbag for day-to-day shooting, but owing to its outstanding optical quality, wide aperture, and the high quality constructed body which is guaranteed for the I series, it is equally comfortable being used for professional photo such as night sky photography and video works. This all-new wide standard lens
Featuring a bright maximum aperture of F2.8, compact dimensions and outstanding optical performance in a versatile 35mm focal length, this Carl Zeiss® lens is an ideal match to Alpha a7 Series full-frame camera bodies.
The Sigma 35mm 1.4 DG HSM is a state of the art lens designed for full frame cameras but can also be used with APS-C sensors as well.
There are plenty of good reasons why some love the authentic look and feel of film-generated photographs; there’s also the discipline of having only 24 or 36 exposures to work with, and the anticipation of having a roll developed. Then there’s the desire to slow down from the relentless pace of digital technology and instant gratification. The Ilford Sprite 35-II continues that heritage and will meet the needs of people experimenting with 35mm film and looking for a camera that’s ‘no frills’ simple. It’s a step up from disposable cameras, and being re-usable,